Funeral Road
2026
Two-channel video, 5.1/2.0 sound
6'30"
Composer & Sound Design by Han Zhang
Funeral Road is based on an experience from ten years ago. On the way to a friend's funeral, I found myself falling in love with the driver.
The car becomes a metal vessel, moving through space at high speed while carrying within it grief and desire, suspended in a moment between the fleeting and the eternal.
Cruel Optimism (1) (2)
2016 / 2024
Archival pigment print, aluminum frame
16x20 inches
2026
Two-channel video, 5.1/2.0 sound
6'30"
Composer & Sound Design by Han Zhang
Funeral Road is based on an experience from ten years ago. On the way to a friend's funeral, I found myself falling in love with the driver.
The car becomes a metal vessel, moving through space at high speed while carrying within it grief and desire, suspended in a moment between the fleeting and the eternal.
Cruel Optimism (1) (2)
2016 / 2024
Archival pigment print, aluminum frame
16x20 inches
《葬礼途中》
2026
双通道有声视频，5.1/2.0声道
6分30秒
作曲与声音设计：张涵
《葬礼途中》取材于十年前的一段经历。在去参加一位朋友葬礼的途中，我发现自己爱上了司机。
汽车成为一个金属容器，在高速移动的同时，装载着哀悼与欲望，将它们停驻在一个介于转瞬即逝与永恒之间的时刻。
《残酷的乐观主义》#1 #2
2016 / 2024
收藏级艺术微喷，铝制画框
40x50厘米
2026
双通道有声视频，5.1/2.0声道
6分30秒
作曲与声音设计：张涵
《葬礼途中》取材于十年前的一段经历。在去参加一位朋友葬礼的途中，我发现自己爱上了司机。
汽车成为一个金属容器，在高速移动的同时，装载着哀悼与欲望，将它们停驻在一个介于转瞬即逝与永恒之间的时刻。
《残酷的乐观主义》#1 #2
2016 / 2024
收藏级艺术微喷，铝制画框
40x50厘米